Babette Quilt Display September 01st, 2017 - 06:56:44
These often included quilts that had been stitched by friends of the women of the departing families, as keepsakes of people and places that they weren`t likely to see, ever again. Along the trails, quilts were used for many things, besides bedding. While friendship and heirloom quilts were frequently kept in trunks, or used for wrapping fine china, and other delicate items, everyday quilts were folded, and used as cushions on the rigid wagon seats. During blinding dust storms, people would hang their quilts across openings, and stuff them into cracks, to keep debris and dirt out of the wagons.
It allows her to stand back and assess the flow of colors, the combination effect and the effects of various patterns in a current quilt making project. In the initial stages, a design wall helps us to cut out and accumulate block or appliqué pieces to assess whether the selection and combination of colors are working. As work progresses, we can also mount each new section as and when we finish so that we can assess the work and make necessary changes. You can make various color adjustments in the borders based on what you perceive about the middle of the quilt while it hangs on the design wall.
There is a vast collection of books on quilting in existence today. Spirits of the Cloth: Contemporary African American Quilts stands out among them. In this book, Dr. Carolyn Mazloomi gives African American quilters, an emerging group within quilting, a voice to be heard and an opportunity to be recognized for their outstanding contribution to the field of both art and quilting. Not only does this book outline in detail the beginnings of African American quilting and how it has progressed through the years, it also provides stunningly beautiful photographs of quilts in this genre.
With a preface written by Faith Ringgold and a foreword written by Cuesta Benberry, also quilters, writers and researchers within their own right, Spirits of the Cloth can be considered to be an academic work within the field of African American quilting. As a quilter, researcher, writer, historian, curator and lecturer regarded as an authority on the subject, Dr. Mazloomi`s scholarly work provides the uninitiated with a wealth of information on a topic virtually unknown before the latter quarter of the 20th century. The text highlights 150 quilts, referred to by the author as the "stories" of the artists who created them.