Fauna Quilt Display September 01st, 2017 - 06:28:23
Why should you use Swarovski crystal rhinestones? Because they will last the lifetime of each quilt that you create. Although there are less expensive rhinestones available, they may not continue to adhere to your quilting blocks when washed. A quilt is an heirloom. If your rhinestones fall off, it will lose some of it`s value. Genuine crystal rhinestones will add an amazing touch of sparkle to your next quilting project. All you need is your own household iron.
To a typical person, a quilt might seem like a normal piece of bedding. But for many quilt owners this could not be further from the truth. Often they are one-of-a-kind pieces of art. Almost always they are hand made, either by the owner or from a good friend. They have intricate designs and take dozens if not hundreds of hours to create. However, since they are stitched together they usually don`t hold up to wear-and-tear like mass-manufactured blankets from a factory. This poses a dilemma for many owners.
With a preface written by Faith Ringgold and a foreword written by Cuesta Benberry, also quilters, writers and researchers within their own right, Spirits of the Cloth can be considered to be an academic work within the field of African American quilting. As a quilter, researcher, writer, historian, curator and lecturer regarded as an authority on the subject, Dr. Mazloomi`s scholarly work provides the uninitiated with a wealth of information on a topic virtually unknown before the latter quarter of the 20th century. The text highlights 150 quilts, referred to by the author as the "stories" of the artists who created them.
It was not until the 1970s that this unique category of quilts came to be recognized and regarded as "official" by the larger quilting community. However, these so-called experts, while taking a step in the right direction, inadvertently caused more harm initially. They stated that African American quilts, in order to be categorized as such, had to fall within certain narrowly defined parameters, and made by black women who resided in a particular geographical region of the United States. This, then, meant that the vast majority of African American quilters were still left virtually unrecognized and unwelcomed into the quilting community, as their work fell neither in the category of traditional quilting or within the newly defined category of African American quilting.