Lucille Quilt Display August 26th, 2017 - 14:01:10
Mazloomi discusses how, initially, the work of African American quilters was largely ignored by the traditional quilting community, as it did not conform to traditional, commonly-held practices and beliefs surrounding quilting. Quilts created by African American quilters had, naturally, been influenced by the African culture from which the quilters and their ancestors had come. Even in the quilts of today, the use of bold, strong, vibrant color can be seen in the quilts of their black creators.
A traditional wooden quilt stand is the ideal furnishing for storing your quilts... at home. But if you plan to bring them everywhere, like in trade shows or in class, you might want to try and focus your attention on the portable types. These are usually available in steel construction, specifically aluminum, and could weigh around 14 to 17 pounds. A standard model is composed of a single horizontal beam that`s supported by vertical beams at each side. Most of the products in the market have fully adjustable horizontal beams, which could extend up to 10 feet to match any length of your trade show backdrops or quilts. The tripod feet can be made wider to increase their stability.
In such instances, our only recourse may be to grab our beloved, dependable quilts, and wrap ourselves in their soft, soothing warmth. Truly, it`s no wonder that quilts are referred to as comforters, or, even more to the point, security blankets. Actually, they have been calming furrowed brows for centuries, during a long, colorful history that is steeped in tradition. Because they have, customarily, been given as gifts, and made from pieces of worn-out clothing, linens, and other materials of significance to the recipient, the sentimental value of quilts increases many times over.
There is a vast collection of books on quilting in existence today. Spirits of the Cloth: Contemporary African American Quilts stands out among them. In this book, Dr. Carolyn Mazloomi gives African American quilters, an emerging group within quilting, a voice to be heard and an opportunity to be recognized for their outstanding contribution to the field of both art and quilting. Not only does this book outline in detail the beginnings of African American quilting and how it has progressed through the years, it also provides stunningly beautiful photographs of quilts in this genre.